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Almost Monochrome: Week 3

September 14, 2022

Oumesnat, a Berber Village in Morocco
Acrylic by Jo
Painted in Indigo, White, Burnt Sienna and Phthalo Green

This week I chose to complete the painting of Oumesnat by adding Phthalo Green, alone and in mixes with the Indigo and Burnt Sienna already used. Only small amounts were used so the painting remains largely tonal. It is very different from the study of the barn in Yorkshire where the misty feel was added with opaque scumbles of white, Here everything remains relatively clear and with huge tonal shifts. I did alter some of the foreground vegetation but kept to the chosen pigments.

Image 1. (Indigo, White) Image 2. (Indigo, White, Burnt Sienna) Image 3. (Indigo, White, Burnt Sienna, Phthalo Green)

Choosing the Pigments to suit Your Painting

This can only be done by experiment and can be done as shown in the last post, or less formally as below where I have painted Indigo, Burnt Sienna and Phthalo Green unmixed to see how they would look together as saturated colours; mixed with white; and lastly by mixing any or all of these pigments together in varying proportions. Phthalo Green is a very strong pigment so only minute amounts were needed to effect the subtle changes I wanted to make in the painting above.

I like this way of working because you end up with little abstract paintings which can be quite fun in their own right. You may of course choose very different pigments to work with your monochrome base colour. It is also evident that I could have chosen to work in a much brighter way while still maintaining strong tonal contrasts.

Pure hues and mixed hues:
Indigo, White, Burnt Sienna, Phthalo Green

This week the challenge will be to either add another hue to the painting or to start a new work. This time choose your main tonal colour but instead of adding the colour after making a purely monochrome work try and incorporate one or two more pigments in a subtle way as you progress. This painting should still rely heavily on tone for its impact but may end up being more colourful than the painting featured in this post. Have a look at the two Pinterest board links below for ideas or look at paintings by Andrew Wyeth, Victor Mirabelli, Alexandre-Louis Jacob or some of the sunset scenes painted by Anton Mauve.

https://www.pinterest.co.uk/jhall1282/limited-palettes/more-colour-subtle/

https://www.pinterest.co.uk/jhall1282/limited-palettes/more-colour-bright/

Choose to work entirely from your own reference or work in the spirit of one of these artists.

Your Paintings:

Still Life
Acrylic by Maryon
A Walk in the Country
Acrylic by Norma
A Reflection on Hills
Acrylic by Kate
Sun through the Church Door
Oil by Virginia

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