May 23, 2021
The challenge this week is to make a painting of boats and/or constructions on the river including weirs, locks, boathouses from sketches made from the riverbank. If the weather makes working by the river difficult why not look at any photos you may have of boats threading their way through the twists and turns of the Thames. It’s more difficult to draw a moving target from life so becoming familiar with the structure of boats and their effects on the water surface is easier from photographs.
However if you have the opportunity, it’s much more rewarding to work outside with a sketchbook. Start with the static objects and develop your confidence, and then try drawing the main shapes of boats and their wakes as they pass by,as swiftly as you can. With a little practice a real notion of movement can be achieved.
A few photographs of local parts of the Thames with moored and moving craft are below.
Think about the river and its banks, the relation of the boat to the water surface (the waterline, reflections and if moving the bow wave and wake, or if a motor boat how the water may be churned up by a propeller at the stern). The patterns of waves may extend far beyond the immediate vicinity of the boat.
If you attempt to draw or paint a lock, perhaps looking down from a bridge as you can at Maidenhead. Try drawing the large shapes of the lock first so that you get a feel for for its structure and aim to show its perspective. That will help you when you place a boat in it. Think of the lock as a big rather long box so the end away from you appears smaller. Then look at the water level in the lock and how the boat sits in it.
There are also occasions where boats are included as only a small element in a river landscape work so just as observing and drawing from human forms, observing and drawing boat forms will help you to be able to just ‘drop in a boat’ to enliven a composition.
Also included are boathouses and a couple of old rather abandoned looking dredgers and the turbulent water of the weir at Maidenhead.
With the weir draw its underlying structure lightly before indicating the frothy water tumbling over it. Hopefully we’ll be sketching outside but if not feel free to use any of these references or find a boat scene you would like to paint.
Some examples of paintings of boats and locks etc can be found on Jo’s Pinterest board using the link below:
Your Sketches and Paintings:
Watercolour Landscapes: back to basics, learning from the masters
7th September to 19th October
The Zorn Palette: painting without blue
Saturday 9th October
A Year in Pastel: landscape and natural forms
26th October to 30th November